![]() ![]() How did you interact with the music while you were writing? So much of the song is asking us to remember, so it made sense to make her a figure who was focused on remembering and remembrance and that's how she became the historian. As usual I needed it to be some angry woman. And the song being a song doesn't really have a character or one particular person to focus on, so I had to think about who was going to be the person that I wrote it about. And I have to say at every step of the way they were supportive of every decision I made. I wrote an outline to see if Navah would be okay with it, and most importantly, to see if Clipping would be comfortable having their song turned into whatever story I wanted to tell. ![]() ![]() Would you like to turn it into a book? And if so, what book would you write based on this song?" I wasn't really given anything that I had to stick to it wasn't even specified that I had to write the same narrative of the song into the book. Basically Navah, the editor, reached out to me and she was like, "Hey, listen to the song. Since you were commissioned to do this book, were there any parameters that you had to follow while writing? How did you make it your own story while still doing joint authorship with Clippings? ![]()
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